{"id":4269,"date":"2026-02-06T22:30:00","date_gmt":"2026-02-06T21:30:00","guid":{"rendered":"https:\/\/www.lhappyjazz.com\/?p=4269"},"modified":"2025-12-16T00:25:26","modified_gmt":"2025-12-15T23:25:26","slug":"concert-formule-bop-invite-marc-thomas-2-2-3-2-2-2-3-2-2-2-3-2-2-2-copy-copy-3-copy-copy-copy-copy-copy-copy-2-copy-copy-2-copy-copy-copy-copy-copy-copy-copy-copy-2-copy-2-copy-copy-2-copy-copy-2-c-45","status":"publish","type":"post","link":"https:\/\/www.lhappyjazz.com\/?p=4269","title":{"rendered":"Concert : Jean-Paul Adam Quartet"},"content":{"rendered":"\n

vendredi 6 f\u00e9vrier 2026 – 20h30<\/span>
<\/strong>THEATRE DE L’ABBAYE<\/a><\/p>\n\n\n\n

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Rassembl\u00e9s autour du batteur Tony Rabeson<\/mark><\/strong>, qu’on ne pr\u00e9sente plus tellement sa pr\u00e9sence depuis les ann\u00e9es 80\/90 sur la sc\u00e8ne jazz est importante, de Fran\u00e7ois Jeanneau \u00e0 Eddy Louiss, de Eric Le Lann \u00e0 Henri Texier, les plus grands musiciens se produisant \u00e0 Paris ont fait appel \u00e0 lui.<\/p>\n<\/div><\/div>\n\n\n\n

Avec Adrien Chicot<\/mark><\/strong> au piano, sideman recherch\u00e9 mais aussi leader avec 5 CD enregistr\u00e9s et Thomas Posner<\/mark><\/strong> \u00e0 la contrebasse, pass\u00e9 par le Japon en provenance d’Ottawa avant de s’\u00e9tablir \u00e0 Paris o\u00f9 on peut l’entendre avec Virginie Da\u00efde. Enfin Jean-Paul Adam<\/mark><\/strong> au saxophone, \u00e0 l’initiative de cette r\u00e9union et \u00e0 la recherche d’une osmose entre ces musiciens d’exception. Ce groupe jeune jouera des morceaux de Wayne Shorter, Herbie Hancock que l’on red\u00e9couvre toujours avec plaisir, mais aussi des originaux pour un son \u00e0 d\u00e9couvrir.

Jean-Paul Adam : saxophone alto
Adrien Chicot: piano
Thomas Posner: contrebasse
Tony Rabeson: batterie<\/p>\n\n\n\n

Entr\u00e9e : 25\u20ac, 15\u20ac (adh\u00e9rent)<\/a>
R\u00e9servation<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

vendredi 6 f\u00e9vrier 2026 – 20h30THEATRE DE L’ABBAYE Rassembl\u00e9s autour du batteur Tony Rabeson, qu’on ne pr\u00e9sente plus tellement sa pr\u00e9sence depuis les ann\u00e9es 80\/90 sur la sc\u00e8ne jazz est importante, de Fran\u00e7ois Jeanneau \u00e0 Eddy Louiss, de Eric Le … Continuer la lecture →<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-4269","post","type-post","status-publish","format-standard","hentry","category-non-classe"],"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/www.lhappyjazz.com\/index.php?rest_route=\/wp\/v2\/posts\/4269","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.lhappyjazz.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.lhappyjazz.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.lhappyjazz.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.lhappyjazz.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4269"}],"version-history":[{"count":9,"href":"https:\/\/www.lhappyjazz.com\/index.php?rest_route=\/wp\/v2\/posts\/4269\/revisions"}],"predecessor-version":[{"id":4325,"href":"https:\/\/www.lhappyjazz.com\/index.php?rest_route=\/wp\/v2\/posts\/4269\/revisions\/4325"}],"wp:attachment":[{"href":"https:\/\/www.lhappyjazz.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4269"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.lhappyjazz.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=4269"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.lhappyjazz.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=4269"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}